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X-T5
X-T5
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Bertrand Schreibstein
Reston, VA, USA
F/8 1/75 ISO 640
Najja Robinson
London, UK
F/5 1/500 ISO 1000
Kurt Slater
New York, NY, USA
F/8 1/320 ISO 1600
Kurt Slater
New York, NY, USA
F/8 1/320 ISO 2500
Kurt Slater
New York, NY, USA
F/5.6 1/640 ISO 250
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
Kurt Slater
New York, NY, USA
F/8 1/320 ISO 640
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
Kurt Slater
New York, NY, USA
F/8 1/125 ISO 6400
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
Kurt Slater
New York, NY, USA
F/8 1/500 ISO 2000
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
Bertrand Schreibstein
Reston, VA, USA
F/8 1/80 ISO 640
Kurt Slater
New York, NY, USA
F/8 1/500 ISO 3200
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
I’m a big fan of ‘realist’ NYC street (think Daniel Arnold, Aaron Berger) and ‘absurdist’ (think Pau Buscato, Richard Kalvar) but I keep coming back to Ernst Haas. I wanted to create a film simulation that echos Haas’s color Ektachrome palette (think NYC in Color 1952 - 1962). I’ve been fussing over this for several weeks now. I read about the chemical process, the dyes, the tech etc. and tried to create a Fuji film simulation. Results are mixed. I like the golden hour but it’s been hit and miss and quite humbling. I’m pretty sure I could clean these up in C1 but the point was to create something SOOC just like Haas. Against my better judgement, here are few images white balanced at daylight, warts and all.
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