Explore

Underground walkway entrance

Romance

Grief in Stone

FPP - 35mm BW Film - Frankenstein 200

An angel folds into herself beneath the trees of Glenwood Cemetery, Houston. FPP Frankenstein 200 pushed one stop to ISO 400, Canon AE-1 Program. Harsh Texas light, deep shadow, and a century of grief carved into stone.

Citroën Méhari produced between 1968 and 1988.

The Watcher

FPP - 35mm BW Film - Frankenstein 200

An angel emerges from the shadows beneath the trees of Glenwood Cemetery, Houston. FPP Frankenstein 200 pushed one stop to ISO 400, Canon AE-1 Program. I let the shadows take the face, and the light find the wings.

Faith Among the Oaks

FPP- 35mm BW Film - Frankenstein 200 Pushed to 400

A silent figure beneath the trees of Glenwood Cemetery, Houston. FPP Frankenstein 200 pushed one stop to ISO 400 through a Canon AE-1 Program—the extra contrast giving an already Gothic scene a little more darkness.

Making music 🎶

Gas Guzzlers, Cruise Nite

Half frames on Pen

"Til' next time"

And so , it all ends where it started, Tokyo.
From the megalopolis, to Kyushu, making it across Taiwan, and many other places. One place to the next. Meeting cool people and sharing stories, that's what is all about. Thanks

He shops in a different place

Northen Life

Testigo silencioso del tiempo: la arquitectura colonial yucateca bajo un cielo dramático.

Aerial & Fine Art | Sisal Mangroves, Yucatán.

Lobby in Technicolor

Mira 800 Color 35mm Film

The Paramount Hotel, NYC. Neon red, teal, orange and gold all fighting for attention in one frame.

After Hours, Chinatown NYC

Mira 800 Color 35mm Film

Lanterns still glowing after the storefronts came down for the night. Chinatown, New York City—red light, neon, shadows, and a street that never quite goes dark.