Jason Rod
Houston, Tx, Usa
https://jasonjinx369.myportfolio.com/
24mm
Canon T90, Canon AE-1 Program, Contaflex IV
Become a member
Sign up and become one of the first members on PortraitMode.
Sign upAll photos
Downtown Houston, Houston, TX, USA
No Vacancy on Main Street. Downtown Houston's retro motel-inspired cocktail bar glows red beneath the city lights, with people drifting through the patio and balcony above. Shot at night on Agfa Vista 200 35mm with the Canon T90 and FD 28mm f/2.8.
No Vacancy on Main Street. Downtown Houston's retro motel-inspired cocktail bar glows red beneath the city lights, with people drifting through the patio and balcony above. Shot at night on Agfa Vista 200 35mm with the Canon T90 and FD 28mm f/2.8.
Houston, TX, USA
Sunset breaks through the sprawling live oaks surrounding the Menil, carving a path of light through deep shadow. Shot on Mr. Negative Cash Only 100 35mm with the Canon T90 and FD 24–35mm f/3.5L.
Sunset breaks through the sprawling live oaks surrounding the Menil, carving a path of light through deep shadow. Shot on Mr. Negative Cash Only 100 35mm with the Canon T90 and FD 24–35mm f/3.5L.
Rice Boulevard, Houston, TX 77005, USA
A weathered garden pot sitting quietly among the overgrowth outside the historic Peter and Nancy Huff House. A simple scene where bright Texas sunlight, old architecture, and black-and-white film give an everyday object a little more presence.
A weathered garden pot sitting quietly among the overgrowth outside the historic Peter and Nancy Huff House. A simple scene where bright Texas sunlight, old architecture, and black-and-white film give an everyday object a little more presence.
Houston, TX, USA
A little tripod mischief inside Duncan Hall — instead of keeping the camera still, I let it move through the exposure and turned Martel Hall into streaks of color, light, and motion. Above it all is John Outram’s massive Birth of Consciousness ceiling, making an already surreal space even stranger on film.
A little tripod mischief inside Duncan Hall — instead of keeping the camera still, I let it move through the exposure and turned Martel Hall into streaks of color, light, and motion. Above it all is John Outram’s massive Birth of Consciousness ceiling, making an already surreal space even stranger on film.
Montrose, Houston, TX, USA
Met him outside a convenience store, bought him some chips and a drink, then asked if he wanted his moment on the world stage — the internet. He immediately threw the arms out and gave me this. Sometimes the best street portraits need no planning at all.
Met him outside a convenience store, bought him some chips and a drink, then asked if he wanted his moment on the world stage — the internet. He immediately threw the arms out and gave me this. Sometimes the best street portraits need no planning at all.
Montrose, Houston, TX, USA
A late-night encounter in Montrose — skateboard in hand, bags packed, and a small passenger peeking out from behind. Shot on 35mm black-and-white film with direct flash, catching one of those fleeting street moments that feels unmistakably Houston.
A late-night encounter in Montrose — skateboard in hand, bags packed, and a small passenger peeking out from behind. Shot on 35mm black-and-white film with direct flash, catching one of those fleeting street moments that feels unmistakably Houston.
Houston, TX, USA
Looking straight up at the brutal geometry of POST Houston, where repeating concrete fins pull the eye toward the roofline and disappear into an almost-black Texas sky.
Looking straight up at the brutal geometry of POST Houston, where repeating concrete fins pull the eye toward the roofline and disappear into an almost-black Texas sky.
Rice Boulevard, Houston, TX 77005, USA
Hard afternoon light cuts through the arches, turning the walkway into a study of repeating geometry, deep shadow, and bright Texas sun.
Hard afternoon light cuts through the arches, turning the walkway into a study of repeating geometry, deep shadow, and bright Texas sun.
Austin, TX, USA
Congress After Dark
Cinestill XX ISO 1600 AE-1 Program
Downtown Austin from the Congress Avenue Bridge. A long exposure turns passing traffic into a wall of light while the skyline holds still behind it. Analog photography letting a few seconds of Austin exist in a single frame.
Congress After Dark
Cinestill XX ISO 1600 AE-1 Program
Downtown Austin from the Congress Avenue Bridge. A long exposure turns passing traffic into a wall of light while the skyline holds still behind it. Analog photography letting a few seconds of Austin exist in a single frame.
Houston, TX, USA
Grief in Stone
FPP - 35mm BW Film - Frankenstein 200
An angel folds into herself beneath the trees of Glenwood Cemetery, Houston. FPP Frankenstein 200 pushed one stop to ISO 400, Canon AE-1 Program. Harsh Texas light, deep shadow, and a century of grief carved into stone.
Grief in Stone
FPP - 35mm BW Film - Frankenstein 200
An angel folds into herself beneath the trees of Glenwood Cemetery, Houston. FPP Frankenstein 200 pushed one stop to ISO 400, Canon AE-1 Program. Harsh Texas light, deep shadow, and a century of grief carved into stone.
Comments